Bibliography (Alpha)

in 30 Italian Songs and Arias of the 17th and 18th centuries, Editions Peters. One volume for Medium High, one for Medium Low.

Lester, CN. “Representing Strozzi: A Critical and Personal Re-Evaluation of Her Life and Music.” University of Huddersfield, Final Thesis, 1 Oct. 2019, http://eprints.hud.ac.uk/id/eprint/35488/.

Includes an English translation of Satire by Dr Gregorio Bevilacqua

Beer, Anna, "Barbara Strozzi" in Sounds and Sweet Airs: The Forgotten Women of Classical Music. London: Oneworld Publications, 2016. pp. 53-88

There are interesting and unsupported assumptions in this chapter, as well as some questionable statements. Not a reliable source for all information.

Sullivan, Ryan Wilson, "Barbara Strozzi: Ironic Gender Bending in 17th-century Venice", paper submitted for MUTH 6750: Seminar in Classical Music, University of North Texas, 2017.

There are factual mistakes and unsupported assumptions in this paper, misquotes, and much reliance on speculative ideas in a chapter by Anna Beer. It is  a student paper from MUTH6750 at University of North Texas, a Seminar in Classical Music.

Pecknold, Sarah M., "Madre d’Amore: Redemptive Motherhood in Barbara Strozzi’s Sacri musicali affetti (1655)" in Journal of Seventeenth-Century Music vol 27, no. 2 (2021).

Fontijn, Claire. “‘Representations of Weeping in the Laments of Barbara Strozzi.’” Uncovering Music of Early European Women (1250–1750), edited by Claire Fontijn, Routledge, New York and London, NY, 2020, pp. 145–170.

Pecknold, Sara M. “Relics, Processions and the Sounding of Affections: Barbara Strozzi, the Archduchess of Innsbruck, and Saint Anthony of Padua,”  in Yale Journal of Music & Religion, vol. 2, no. 2, article 5.

Gordon, Bonnie. “She Quickened the Pulse of 17th-Century Music; The composer Barbara Strozzi, who turns 400 this year, is still celebrated for vocal music of desire and passion.” The New York Times, Section AR, p. 8, Dec. 22, 2019.

Print version has headline: “She Quickened the Heartbeat of Venice.”

“Reflections on Barbara Strozzi.” EMAG, the Magazine of Early Music America, vol. 25, no. 1, January 2019, pp. 30-34.

New York & London: Garland, 1986. ISBN 824088794

facsimile with introductory notes

Manuscript. D: Kl, MS Collection of cantatas, fol. 34, 1681

Manuscript. D: Kl, MS Collection of cantatas, fol. 34, 1681

Firenze: Studio Editoriale Fiorentino, 1999. ISBN 8887048185

Manuscript. Venice, Museo Correr, busta 2.35.
Notes: "missing the end of the piece" until Dr. Magner found the two parts that were separated.

Venice: Gardano, 1664.

Notes: Location I: Baf (Fondo Antico 1 68); I: Bc (BB422) (manuscript version)
[Facsimile]  Bologna: Antiquae Musicae Italicae Studiosi: Monumenta Veneta. Forni reprint, 1970.
[Facsimile]
Stuttgart: Cornetto-Verlag, 2000. ISBN M-50100-126-2, catalog number FES4.

Venice: Gardano, 1659.

Notes: Location I: Bc (BB368).
[Facsimile], Piero Mioli, ed. Florence: Archivum Musicum, Cantata Barocca #3, 1980.
[Facsimile]  Stuttgart: Cornetto-Verlag, 1999. ISBN M-50100-081-5, catalog number FES3.

Venice: Gardano, 1657.

Notes: Location I: Bc (BB367)
[Facsimile]  Stuttgart: Cornetto-Verlag, 1999. ISBN M-50100-087-6, catalog number FES2.

Venice: Gardano, 1655.

Notes: Location PL: WRu.
[Facsimile with introduction by Ellen Rosand] New York: Da Capo Press, 1988. ISBN 306761955
[Facsimile] Stuttgart: Cornetto-Verlag, 1998. ISBN M-50100-067-8, catalog number FES1.

Venice: Gardano, 1654.

Notes: Locations: GB: Lbl.
[Facsimile]  Stuttgart: Cornetto-Verlag, 2000. ISBN M-50100-119-4, catalog number FES6.

Venice: Gardano, 1651.

Notes: Locations I: Fn (Mus.Ant. 30); GB: Och.
[Facsimile] Stuttgart: Cornetto-Verlag, 2000. ISBN M-50100-120-0, catalog number FES7.

Venice: Alessandro Vincenti, 1644.

Notes: Locations: I: Fn (Mus.Ant. 104). I: Bc (BB366).
[Facsimile] Stuttgart: Cornetto-Verlag, 2002. ISMN M-50100-121-7, Catalog number FES8.

In G.F. Loredano Bizzarrie academiche. Venice: Sarzina, 1638.

Notes: location I: Vnm 69 C 239 and 210 C 089. Venice: Correr. Torrefranca - S.A.H.I.334. English translation as Academical discourses (London, 1664) p. 99ff.

American Recorder Society. ISSN 0003-724

Notes: Arrangement for recorder and piano.

In Arie a Voce Sola di Diversi Auttori.  Venice: Alessandro Vincenti, 1656. RISM 1656(4)

Notes: BritLib microfilm, Harvard . Reprint Facsimile available from Cornetto-Verlag, Stuttgart, Germany, catalog number FES5, ISBN M501000913.

In Eleganti Canzoni ed Arie Italiane del Secolo XVII. Saggi Antichi ed inediti della Musica Vocale Italiana. Milano: G. Ricordi & C. 1894. pp 33-35.

In Antiche Cantate d'Amore.  Bologna: F. Bongiovanni, 1912, 1920.

Notes: NYPL Microfilm. DC, RQM, non-lending.Other libs.

New Grove Encyclopedia of Music and Musicians, 2nd ed.
London: 2001. vol 24, pp 607-609.

In Women Composers: music through the ages, ed. M. Schleifer and S. Glickman, v. 2; p. 56-97.  New York: G.K. Hall, 1996. ISBN 0816105634

Notes: also excerpted in edition, Bryn Mawr, Hildegard Publishing, 1998.

Stanford University, 1992. D.M.A. Thesis.

Notes: Includes modern transcriptions of all the Opus 8 works, voice and unfigured basso continuo. Commentary, Italian texts and English translations. "L'Astratto" [8.04] and "Hor che Apollo" [8.03] as published in the G.K. Hall and Hildegard editions, are taken from this thesis.

In Music by women for study and analysis. Englewood Cliffs, NJ: Prentice-Hall, 1993.

Musik Theorie: Zeitschrift für Musikwissenschaft. XXI/2 (2006): Musik und Bild: 101-129.

The Age, 2000. www.theage.com.au

Tesi di laurea, Università di Padova, 1995-96.

New York: Oxford University Press, 2001. ISBN 019512233X

New York: Oxford University Press, 2001. ISBN 195122321.

p. 81f. Leipzig: Breitkopf & Härtel, 1914/1955.

West Yorkshire, UK: The Green Man Press, 2009

with keyboard realizations.

Algol Editora, 2009. www.algol.com.br

Includes CD of music.

Revista Electronica de Musicolgia 11. <http://www.rem.ufpr.br/REMv11/02/02-scarinci-strozzi.html>

Goldberg, v. 1, Nov. 1997; p. 30-31.

Paris: L'Harmattan, 1998. ISBN 273846565. pp 57-73; 343-344.

Venezia: Centro tedesco di studi veneziana, 1980.

Women Composers Series #21. New York: Da Capo Press, 1988. ISBN 306761955

Berkeley: University of California Press, 1990. ISBN 520068084

In Women Making Music, ed. J.M. Bowers and J. Tick; p. 168-190.
Champagne-Urbana, Ill.: University of Illinois Press, 1986. ISBN 252012046

In Italian Cantata in the seventeenth century, v. 5.
Garland Press, 1986. ISBN 824088794

JAMS, XXXI, 1978; p. 241-281

New Grove Encyclopedia of Women in Music, Julie Anne Sadie and Rhian Samuel, eds. New York: Macmillan, 1995.

Art Bulletin, 63/2, 1981; p. 249-258

Fanfare, 27 August, 1999

University of Georgia, 2000. DMA thesis. Also Bryn Mawr, PA: Hildegard Publishing Company, 2001.

with keyboard realizations. (Catalog number 02117)
Notes: includes [6.05] Miei pensieri, e che bramate?; [6.07] Amore è bandito; [6.09] Lilla mia, non ti doler; [6.12] Lilla dici ch'io non t'amo; [6.13] Non ti doler, mio cor; [6.16] Chi brama in amore.

Middleton, WI: A-R Editions, 2015. ISBN 978-0-89579-805-3

In Antiche Gemme Italiane. Milan: Ricordi, 1949. 

Manuscript, ca. 1669. US: LAuc (William Andrews Clark Memorial Library, University of California, Los Angeles), fC697M4.

Notes: Regio was a composer and lutenist. This MS includes voice part and baroque guitar tablature.

In Nine Centuries of music by Women Series.
New York: Broude Bros., 1978.

In Nine Centuries of music by Women Series.
New York: Broude Bros., 1978.

In New Grove Encyclopedia of Music and Musicians, ed. Stanley Sadie; p. 294.
London: Macmillan, 1980.

Prague: Státní pedagogické nakladatelství, 1965

Bloomington, Ind.: Indiana University Press, 1991. ISBN 253343216

Ph.D. dissertation, Catholic University of America, 2015

In Piccolo Album di Musica Antica. Milan: G. Ricordi, 1892.

Privately published.

New York: Walker, 1992. ISBN 802781683 (cloth) 802781691 (paper). pp 1-11.

Notes: For juvenile readers.

In Women Making Music, ed. J.M. Bowers and J. Tick; p. 90-115.
Champagne-Urbana, Ill.: University of Illinois Press, 1986. ISBN 252012046

University of Minnesota dissertation, 1993

In Arie Italiane: dal XIII al XVIII secolo, per basso-baritono/ elaborazione a cura di Raffaele Mingardo.
Milan: Edizioni Suvini Zerboni, 1976.

Firenze: Leo S. Olschki Editore, 1998.

Padova: Il poligrafo 2000. Ricerche (Univ. degli studi di Venezia. Facoltà di lettere a filosofia 8)

In Annäherung IV: an seiben Komponistinnen.
Kassel: Furore-Verlag, . ISBN 3980132668

vol. ii, p. 224ff; vol. iv, p. 140-141; vol. v, p. 396-397.
Bologna: L. Cappelli, 1930.

Fayetteville, AR: ClarNan Editions, 2010

With keyboard realizations. Also in transposed keys for low voice
Notes: Includes Op2-Chiamata a Nuovi Amori; Begl’occhi, bel seno; Noiosa lontananza; Op3-Amor non si fugge; Con male nuove, non si puo cantare; Op6- Non ti doler mio cor; Rissolvetemi, pensieri; Op7-Pensaci ben mio core; Basta così, v'ho inteso!

Fayetteville, AR: ClarNan Editions, 2004

Also an edition for SSA, bc, 2009.

Fayetteville, AR: ClarNan Editions, 2005

with keyboard realizations.

Fayetteville, AR: ClarNan Editions, 2003

Fayetteville, AR: ClarNan Editions, 2003

with keyboard realizations.
Notes: Includes 1.04 "Le tre grazie a Venere", 1.09 :Godere e tacere:, 1.12 "Godere in gioventù", 1.21 "Dal pianto de gli amanti scherniti", 1.23 "La Vittoria".

IAWM Journal, Volume 15, No.2, 2009

Ph.D. Diss., University of Connecticut, 2004

Notes: Includes editions of some works of Opus 7.

In The Journal of Singing, 58/5, 2002.

In Sacra Corona; Motetti a due e tre voci di diversi eccelentissimi autori moderni. Venice: 1656.

Notes: US: LC. GB: Och. Microfilm: LC, Harvard, UNC-ChapelHill.

Los Alamos, NM: Cor Donato Editions, 2012

original key for soprano; transposed key for mezzo-soprano

Los Alamos, NM: Cor Donato Editions, 2012

Los Alamos, NM: Cor Donato Editions, 2012

Original key for soprano; transposed key for mezzo-soprano.

Los Alamos, NM: Cor Donato Editions, 2012

Los Alamos, NM: Cor Donato Editions, 2012

original key for contralto; transposed key for mezzo-soprano; transposed key for soprano

Los Alamos, NM: Cor Donato Editions, 2019

Los Alamos, NM: Cor Donato Editions, 2012

original key for contralto; transposed key for mezzo-soprano; transposed key for soprano.

In The Journal of Singing, 58/5, 2002

Notes: The numbered catalog of Strozzi's works, a complete discography and a classified bibliography of original sources, secondary sources, analyses.

In Analytical Essays on Music by Women Composers, ed. Laurel Parsons and Brenda Ravenscroft, Oxford University Press, 2018, 74-105.

In Istituto Veneto di scienze, lettere, ed arti. Memori, classe di scienze morali, lettere ed arti, vol 41, fasc 3.
Venezia: Istituto Veneto, 1989.

Early Music, 27/2, 1999; p. 329-330.

In The Solo Song 1580-1730; p. 81ff.  New York: Norton, 1973.

Ph.D. thesis, Kings College, University of London, 1989.

Notes: microfiches at Washington University, MO.

Privately published

Performance edition PDF file

Venice: apresso Francesco Valvasense, 1647.

See particularly pp. 280 ff on Giulio Strozzi

Notes: located I: Vnm 69 C 239 or 388 D 116. (microfilm?) at UCBerk, UCArl, Yale, Clark, Harvard, WashU, Duke, URochester, Rice, UIowa, JohnHopkins, UMich, UOxford.

Privately published

Performance edition PDF file

Privately published

Performance edition PDF file

Privately published

Performance edition PDF file

Privately published

Performance edition PDF file

Privately published.

Performance edition PDF file

New York: Macmillan/Schirmer, 1991, pp. 67, 98. ISBN 28713184

Notes: This book accompanies a series of videotapes from Films for the Humanities & Sciences. Video Vol 2 has information on Strozzi, with a performance of "Amor è bandito" 6.07. OCLC# 34299856

Laaber: Laaber-Verlag, 1995. ISBN 3890072941.

Bryn Mawr, PA: Hildegard Publishing Company, 1998.

Notes: Includes 1.13 L'amante modesto; 1.14 Il Contrasto de' cinque sensi; 1.15 Priego ad amore; 1.20 Vecchio Amante; 1.24 L'amante timido eccitato. Also available as individual pieces in choral octavo. with keyboard realizations.

Continuo Review online.
http://continuo.com/reviews/strozzi.htm

Kassel: Furore-Verlag, 1996. ISBN 500125617.

Notes: These editions have been superseded by completely revised and new editions by the author for Cor Donato Editions, 2014.

Kassel: Furore-Verlag, 1996. ISBN 500125549

Notes: These editions have been superseded by completely revised and new editions by the author for Cor Donato Editions, 2016.

Los Alamos, NM: Cor Donato Editions, 2019.

Los Alamos, NM: Cor Donato Editions, 2016

Los Alamos, NM: Cor Donato Editions, 2015.

Los Alamos, NM: Cor Donato Editions, 2015.

Los Alamos, NM: Cor Donato Editions, 2016

Los Alamos, NM: Cor Donato Editions, 2019

Los Alamos, NM: Cor Donato Editions, 2014.

Los Alamos, NM: Cor Donato Editions, 2018.

Manhattan School of Music, DMA Thesis, 1995.

Notes: Transcription with figured bc, translations and notes. Cannot be copied, must be viewed at library.

Recercare: Rivista per lo Studio e la Practica della Musica Antica, 14 (2003): 65-98.

New York: Feminist Press, 1994. ISBN 1558610731 (cloth) 155861074 (paper)

Pages 25-29 are specifically on Barbara Strozzi.

In La Flora; Arie Antiche Italiane, vol. 2.
Copenhagen: Wilhelm Hansen, 1949.

In Women and music: a history, ed. K. Pendle; p. 61-63.
Bloomington, Ind.: Indiana University Press, 1991. ISBN 253343216

Tesi di laurea, U. degli Studi di Pavia, Scuola di Paleografia e Filologia Musicale, 1987. Non-doctoral thesis.

Journal of Seventeenth-Century Music.
http://www.sscm.harvard.edu/jscm/v5/no1/Hill.html: 1999. ISBN 1089-747X

In Il madrigale tra Cinque e Seicento, Problemi E Prospettive. Serie Di Musica E Spettacolo. ed. Paolo Fabbri.
Bologna, Società editrice il Mulino, 1988.

IMSLP, n.d.

The Musical Quarterly, 81/2, 1997; p. 311-335.

The Musical Quarterly, 83/1; 1999; p. 134-141.

New York: G.K. Hall, 1996. ISBN 0816105634

Bryn Mawr, PA: Oliver Ditson, 1968

Venice: Alessandro Vincenti, 1639

Notes: Dedicated to Claudio Du Houssazy. RISM F1488. I: BO

Venice: Bartolomeo Magni, 1636

Notes: Dedicated to Giorgio Nani. RISM F1486. GB: Och. I: microfilm.; also Fond. G. Cini: negative photo print.

Venice: Bartholomeo Magni, 1635.

Notes: Dedicated to Giovanni Paolo Vidman.
RISM F1485. GB: Och. I: microfilm

Berkeley: University of California Press, 1995.

Notes: includes information on the Strozzi family before Giulio.

In Five Early Italian Songs. Huntsville, TX: Classical Vocal Reprints, 1987.

Privately published; contact the author

Prima La Musica Publishing, 2008.

Includes "[5.12] Nascente Maria," "[5.03] Gaude Virgo," "[5.07] O Maria," "[5.11] Salve Regina," and "[6.17]Sospira, Respira.

Early Music, 22 (Aug 1994), p. 513-514.

In Musica senza aggettivi: studi per Fedele d'Amico, a cura di Agostino Ziino. Quaderni della Rivista italiana di musicologia.
Firenze: Olschki, 1991, p. 21-30. RILM 92-02016-ae.

Musica, Scienza e idee nella Serenissima durante il Seicento. Atti del convegno internazionale, Venezia, Palazzo Giustinian Lolin 13-15 dicembre 1993, ed. Francesco Passaore and Franco Rossi; p. 285-294.
Venice: Fondazione Ugo e Olga Levi, 1996.

Journal of Singing, 67/1(September/October 2010), p. 105

Bloomington, Ind.: Indiana University Press, 1986

Women Making Music, ed. J.M. Bowers and J. Tick; p. 116-167

Nuova musica, X. 1905; p. 61

Nuova musica, XII. 1907; p. 209-210

Rivista Musicale Italiana, XXXII, 1925; p. 519-534

Nuova musica, XI. 1906; p. 101-102

Bonaventura, Arnaldo. Ariette di Francesca Caccini e Barbara Strozzi. Rome: Casa Editrice Musica, 1930.

Includes Chiamata à nuovi amori [2.07] and Noiosa Lontananza [2.13].
These are the same as the editions in Nuova musica.

Blankenburg, Elke M. Barbara Strozzi: [1.01] Proemio dell'opera; [1.18] Al Battitor di Bronzo della sua crudellissima Dama; [1.02] Canto di bella bocca; [1.08] Dialogo in partenza, Il Primo Libro de Madrigali für zwei Stimmen und Basso Continuo.
with keyboard realizations. Kassel: Furore-Verlag, 1993. ISBN 500125310

Bertollo, Giovanni Battista. Giovanni Widmann (1570-1634): mercante del fondaco dei tedeschi. Venezia: tesi di laurea: anno accademico 1970-1971. Università degli studi di Padova, facolta di magistero, Istituto di storia moderna.

Detailed information on the Vidman family.

Aurigi, Anna ed.. Giulio Strozzi:Poesie per il Primo libro de' madrigali di Barbara Strozzi.
Firenze: Studio Editoriale Fiorentino, 1999. ISBN 8887048185

Archer, Gail, ed. Cantate, ariete a una, due e tre voci, Opus 3. Recent Researches in the Music of the Baroque Era, vol. 83. Madison: A-R Editions, 1997. ISBN 895793881

Adkins Chiti, Patricia. Almanacco delle virtuose, primedonne, compositrici e musiciste d'Italia: dall' A.D. 177 ai giorni nostri. Novara: Istituto geografico DeAgostini, 1991.

Accademia degli Unisoni. Veglie de' Signori Unisoni. (Veglia Prima; Veglia Seconda; Veglia Terza di Signori Accademici Unisoni)
Venice: Sarzina, 1638. Located at Venice: Biblioteca Nazionale Marciana. I: Vnm 119 C 240.

Accademia degli Unisoni. Satire, e altre raccolte per l'Accademia de gli Unisoni in casa di Giulio Strozzi.
Manuscript, Venice: Biblioteca Nazionale Marciana. I: Vnm Cl.X, Cod. CXV = 7193.

Berdes, Jane L. Women Musicians of Venice; p. 237.
New York: Oxford University Press, 1993. ISBN 198162367